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I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.

Sailor Moon Crystal wisely makes the decision to adapt Season 4's Dream Arc into an epic anime movie where the Sailor Guardians shine brightest.

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Director and writer, Miles Marti, brilliantly created a film that captures the story of a kid that learns a new reality all within the walls of her classroom. Tears Of Knowing lightly steps into the devastation of loss through a childhood lens, and presents a perspective that is not often acknowledged. Though grief and loss are important aspects, the film also showcases excellent portrayals of trust, innocence, and naivety.