'Cyrano' (2022): A Bittersweet Tale of Unrequited Love and Self-Acceptance
This modern update of the beloved classic swaps Cyrano's signature pronounced nose for achondroplasia, for a different vision that still retains the original's essence.

For centuries, art has stylised violence against women - and called it beauty. Proserpina (or Persephone) frees herself from Pluto's grip and leads us through masterpieces from antiquity to the present day: from Roman sarcophagi to Bernini, from Artemisia Gentileschi to Marina Abramović. This journey through art history opens up new perspectives on the representation of sexual violence in art.
This modern update of the beloved classic swaps Cyrano's signature pronounced nose for achondroplasia, for a different vision that still retains the original's essence.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
'Selena: The Series' loses sight of the story's heart: Selena herself.
Chickenhare and the Hamster of Darkness explores true identity through exploration.