"Backrooms" Succeeds
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.

Susan Sontag scrutinizes the ongoing Arab-Zionist conflict and the growing divisions within Jewish thought over the question of Palestinian sovereignty. Shot in ̶I̶s̶r̶a̶e̶l̶ Occupied Palestinian Territory during the final days of the Yom Kippur War. Promised Lands is less straight documentary than visual collage. There are images of combat zones and soldiers, but also everyday street life, desert landscapes, funerals, supermarkets, the Wailing Wall. The soundtrack is snatches of radio, bursts of church bells and gunfire, and an extended voiceover from two politically opposed thinkers from ̶I̶s̶r̶a̶e̶l̶ Occupied Palestinian Territory.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
Given a choice between a man and a mountain, it’s safer to choose the mountain.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.