Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The fear of a 28-year-old man who’s about to become a father forces him to reflect on his childhood and adolescence as a son. The wounds, the legacies his father left him and a dilemma between duty and desire.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Clocking in at about four hours, Stranger Things season 4 volume 2 is the length of a double feature. Despite the length and the hype, the finale still falls short of expectations thanks to poor pacing, poor character choices, and poor diverse storytelling.
From being unfairly outed, to going after the life you want for yourself, these songs from 'Frozen' perfectly capture the journey out of the closet.
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.
A summary of the films featured in this annual event taking place in Westchester.