The Critters Are Going 'Back to the Outback'
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.

In an unknown first world airport the arrival of an ecuadorian flight is heard. The 'members of the European Union' passby migration, while the 'others', in the other line, wait. In the middle of the claims, a group of ecuadorians is arrested. They are taken to the Room, where they wait to be deported. Seems like everyone hides something, like PROMETEO the young magician with his hands tied like a delinquent who has a 'magical' trunk as luggage. Time passes, a way of being, Ecuador happens in this waiting room. Seems like there is no possible exit. Meanwhile, a different but well-known way of life takes place. The only thing left as a promising way out is illusion.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary
YouTube surpasses Netflix but there is more to the story.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.