A Good Burger Comes with Fries and a Shake
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.

Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
An indie production of a romantic drama with a country-western feel meant to explore lost love.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.