Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Profile of a Saint
Mid 1960's. In the sea-port town of Genova in the Northern part of Italy. In the secret club "Primavera", Italy's high-class married ladies, party every night with gigolos. Among them, there is one noticeably charming and sparkling young man called Luca. This man has been chosen as a "companion", by Irene, the wife of a shipping magnate. The club proprietress, Aura, together with Antonio, fear for Luca. In that woman's eye there is a look of foreboding... Luca, unminding, probably naively starts to fall for Irene.
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Mid 1960's. In the sea-port town of Genova in the Northern part of Italy. In the secret club "Primavera", Italy's high-class married ladies, party every night with gigolos. Among them, there is one noticeably charming and sparkling young man called Luca. This man has been chosen as a "companion", by Irene, the wife of a shipping magnate. The club proprietress, Aura, together with Antonio, fear for Luca. In that woman's eye there is a look of foreboding... Luca, unminding, probably naively starts to fall for Irene.
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