“Buddy” and Analogue Horror
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.

Claire and Jeanne are twin sisters, united by the same passion: the piano. Coached by their father like athletes, they join the prestigious Karlsruhe Conservatory. They are now competing to be soloists and training for a concert that will make or break their careers. But Claire and then Jeanne discover they are suffering from a serious illness and are slowly losing the use of their hands. With the support of their family and their undying love of music, they will find a unique way to change their fate. An inspiring and moving tale, based on a true story.
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
How do zombie films shine new light in the post-Covid and post-Brexit era?
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.