The End of “The End of Oak Street” is Oak Street
An attempt to capture nostalgia that unfortunately just doesn’t work

Anna Haslböck, writing as Karina Norden, hires young drummer Nicolas Auer to pose as her lover and boost sales for her new book on dating younger men. Nicolas, recently dumped by a girlfriend influenced by Anna’s advice, reluctantly plays along while Anna secretly maintains a ten-year affair with industrialist Wolf Richter. As Anna and Nicolas co-host a fledgling talk show, Nicolas begins a real affair with journalist Martina Schwarz, forcing Anna to juggle contracts, jealousy, and public image. When Wolf announces plans to marry a society beauty, Anna’s world unravels - she confesses her long affair to Wolf’s wife Ilse live on air. The on-set revelations by Ilse and her partner Bodo mirror Anna’s own sacrifices. In the end, the show is a hit, Anna frees Nicolas from their PR pact, and Martina forgives him, leaving Anna to rebuild her personal and professional life.
An attempt to capture nostalgia that unfortunately just doesn’t work
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Thunder Force brings much-needed diversity to the superhero genre. Unfortunately, it's also an uninteresting and unfunny mess.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?