Part-stylised performance film, part-interview feature, this film dives into the “tropical futurist” creation story premised on Filipino pre-colonial identities, myths and artefacts and speculative decolonial fantasies. At the heart of this story lies a “swamp” - a primordial black hole, a portal to nothing and everything - which gives birth to a nonbinary deity. VOID is a divine response to the pain and trauma of the present apocalyptic era, a futuristic body that is also a composite of historical-ancestral imaginaries.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
An action film led by two queens, fighting for what they believe in through power and pain.
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
Horse racing is a very difficult sport and challenge, especially for a young woman like Michelle Payne.
