Coming Together for 'Thirteen Lives'
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.

Willi and Maria Kluge married in the final days of World War II. Maria is deported to a camp in Siberia and does not return home until eight years later. She brings with her the child of a fellow prisoner, whom she gave birth to in the camp. This is a heavy blow for her husband Willi, who has been waiting longingly for her, but he takes her and the child in. She struggles to regain his love and trust, and eventually his masculine generosity prevails.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
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These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.