
The two protagonists – an architect and a prisoner living in parallel realities in the present time and an ambiguous distanced past, respectively – conjure up imaginations and experiences of imprisonment. In their dialogue across space and time they debate the relations between humans, the world, and freedom. They talk of visible and invisible imprisonment, existentialism as a means of self-redemption, and at the same time question the relationship of humans to the space around them. An attempt at reconciliation with the world and human nature.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
Sinister and suffocating, 2022's The Black Phone delivered more than just scares - it brought atmosphere, depth, and a villain audiences won't soon forget.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.