
Cross stories of three women who find themselves in a cottage retreat in the Tuscan countryside during the Christmas holidays. One is a widow, another is divorced, and the third is on the verge of separation. They have led with them their respective children, who, as innocent and naive, will manage amidst a thousand difficulties to restore the failing households and give the widow a glimpse of the possibility of new love.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.