The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

Hadian (male, 25 years old) & Anin (female, 25 years old) are lovers who love each other. One day, Anin reported that she was pregnant with Hadian’s child. Anin forces Hadian to marry her as soon as possible without anyone knowing before her pregnancy gets bigger. To get married, Hadian still does not have proper preparation, until finally he chooses to sell his house and motorbike. At the very least, to cover all wedding expenses temporarily.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.