Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

After recently moving to a seaside town, a single mother’s mental state derails as she becomes increasingly convinced that someone is trying to steal her baby.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
Despite this genre not being a new one, The Novice offers a fresh perspective with its study of performance anxiety
A high-octane spy thriller where Hrithik Roshan and Jr NTR’s clash brings explosive action, stylish direction, and emotional depth. Here’s my take on what makes it a must-watch in the YRF Spy Universe.