'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Víctor is in his last year of his Violin Studies and is about to perform his last recital. During his years as a student, he has put his family and friends aside to focus entirely on his true passion. Now that the first defining moment of his future professional career is approaching, he feels emotionally blocked, unable to play his piece well. Víctor will have to make amends with his close ones, those who have supported him and have been by his side, in order to feel at peace with himself. He will have to remember who he really is to find the right emotional balance that will allow him understand music and life in a much healthier and human way, and carry on with the concert.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
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