Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Phony backwoods preacher Amos T. Huxley stays in a small North Carolina town long enough to fleece his congregation, swindle the profits from a moonshine still, and seduce dumb blonde Mary Lou. Mary Lou's ex-boyfriend becomes suspicious of the preacher and gets the local police to investigate his actions.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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