‘También la Iluvia’: A Lesson in Shallow Representation
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.

In the mid-to-late 1970s, two young women from different social backgrounds meet inside the Patronato de Protección a la Mujer (Women’s Protection Board), a state-backed institution that confined thousands of women, many single mothers, in convents and boarding schools under the guise of moral 'reform'. Ana, a rebellious 19-year-old from Barcelona, is sent by her wealthy father to a Patronato facility overseen by the merciless Sister Socorro. Amid the harsh conditions, Ana forms a deep bond with Sole, a friendship tested by escape attempts, reprisals, and an ultimate sacrifice.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
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Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.