“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.

It is estimated that around 1,000 Scottish people, mostly men, engage in "doo fleein," a highly competitive hobby that involves stealing each other's pigeons. The sport is practiced mostly in the poorer areas, where fallow land offers ample space for imposing dovecotes equipped with ingenious mechanisms to trap competitor's birds. This short documentary focuses on two of these men living in a working-class neighborhood in Glasgow. Rab and Danny have been battling it out for 25 years. Hilarity ensues when we follow them during their hunt, with the two men exchanging mating calls and foul-mouthed diatribes with their birds, and celebrating triumphantly when they manage to catch a prized bird. Even during the interviews, in which the heavily accented duo speak about their sport and their never-ending rivalry, they always have at least one eye pointed at the sky.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.