
During the armed uprisings of the sixties in Venezuela, a young guerrilla woman has to give birth in secret. To her surprise, her daughter is the first to be born on Mother's Day and photos appear in the press. Since then, both have to flee. Disguises, false names are the hiding places and the daily life of CHICA, the narrator of this story. Together with her cousin TEO, they reinvent the adventures of their guerrilla fathers, building a fantastic labyrinth of superheroes and strategies around armed subversion, where you never know where reality or madness begins. But the children's game cannot hide the death, torture, accusations and betrayals that live inside the guerrilla.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.