Quintessential Directors: Barry Jenkins
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

A time bomb is ticking in a small regional postal facility and his name is Oren Starks (Brad Garrett). Oren fits the profile of a new breed of killers - postal workers who crack under pressure. Their brains short circuit and the paranoid delusions begin. Going Postal begins as famed psychologist Dr. Nicolas Brink (Richard Portnow) launches his controversial research study in order to create a "psychological vaccine" to defuse these human time bombs who seem to be going postal at an alarming rate. It is revealed that almost everyone at this post office is on the brink of insanity! There's a perverse love triangle involving Oren, Harry Cash (Rob Roy Fitzgerald) and the sexy survivor of another postal shootout, Tammy Skye (Grace Cavanaugh). Postmaster Calhoun (William Long, Jr.) is driving the staff nuts by constantly micro monitoring their bathroom breaks. Something has got to give and its not the timely delivery of the U.S. mail.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
Michael Shanks’ Together is a queasy, hilarious, and surprisingly heartfelt body-horror trip that fuses love and terror in the most literal sense. Starring real-life couple Dave Franco and Alison Brie, this midnight gem twists Plato’s soulmate myth into a gory, darkly funny tale of codependency, cults, and chainsaws — equal parts romance and nightmare.
'Uprooted' is a short film on what's happening in Ukraine as of today. This captures the emotions of the Russian invasion of Ukraine.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict