What is a queer body in theological context? What can queer Eva do to free herself from the endless androcentric and patriarchal narratives? These questions can be answered by queer theologian Marcella Althaus-Reid:” Queer theology is the one who confesses distance from home without even knowing where home is for her, rejecting all representations of herself or her own representations of others that deny the reality of exile as a place to be. A theology that can only participate in the contiguous processes of representation of people in transit, nomadic subjects who follow their own deep desire for different forms of purity and holiness, and find grace especially in the lands inhabited by sexual exile.” Eve thus becomes here an uneven recomposition, embracing her figurative repetitions to the point of vacuity, through ecstasy, so it is not possible to direct oneself to the body without ruptures, discontinuities, inconsistencies, contradictions
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
Crazy Rich Asians. The title is tacky, but the actual movie is both heartwarming and cosmopolitan. After all, it takes place in Singapore!
The nations of Wakanda and Talokan enter war over their opposing viewpoints on dealing with the destructive hearts of humankind on the surface world.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
