Portrait of a Showgirl (1982)

Queen & Slim is a nice example of representation in both cast and crew

Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.

"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.

Four more classic horror films that are entertaining even if occasionally absurd.

Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.

I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.