The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

The basic story of a young criminal not quite living up to his won ideals of "not to give a damn" sidesteps out of his criminal career while dragging his younger brother into it, could have been interesting. Unfortunately the implementation is simply not good enough. As so often with Danish movies, there is little appreciation for detail thus leaving us with hoodlums talking like they've done time at a business academy rather than a prison. Dialects completely out of here and idiosyncratic bikers without bikes or even character for that matter. An ever accelerating surrealism towards the end doesn't help to clear the slow pace of this film but it does give a glimpse of what the story could have unfolded to become.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
Looking back at the representation of different cultures in the magical world of Harry Potter