“Host:” Quarantine Horror for the Online Generation
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

A street level drug supplier falls in love with a college student. Despite avoiding him at first, the girl later uses him for her own benefit by acting of being in love with him. Later she falls in love with another boy but still can't break the relationship with the first lover as he accepts all her demands and changes himself leaving all his drug supplying works behind. The girl falling in dilemma hands the boy to Police. But fate brings them face to face again to experience some tragedy.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
The film is a powerful narrative encompassing a theme that many people can identify with.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
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