Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

Two young brothers known for their good looks and fun beach parties, end up falling in love with the same girl during one of their extravagant events. Though the younger brother meets the beautiful young girl at first, it is the older brother that ends up romancing her, yet not knowing the interests between his younger sibling and her. After dating the girl for some time, he introduces her to his family, and there she learns her first interests is her lover's brother. A love triangle quarrel as both brothers fight to win the love of their life, yet her inability to chose between either sibling leads them extreme measures, ending in tragedy.
Not every silence is empty. Some are filled with things too heavy for words.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.