Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Pope Leo XIII in His Carriage poster

Pope Leo XIII in His Carriage (1898)

Filmmaker WKL Dickson, one-time right hand man to Thomas Edison, the 'Wizard of Menlo Park', here captures an even greater eminence, Pope Leo XIII. This was one of a series of films that exploited Dickson's unique, hard-won access to the Pontiff. Here the Pope arrives in a carriage and bestows a blessing. Whether this blessing was intended for the camera or for the audience beyond it, capturing it on film was a great prize for Dickson.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Filmmaker WKL Dickson, one-time right hand man to Thomas Edison, the 'Wizard of Menlo Park', here captures an even greater eminence, Pope Leo XIII. This was one of a series of films that exploited Dickson's unique, hard-won access to the Pontiff. Here the Pope arrives in a carriage and bestows a blessing. Whether this blessing was intended for the camera or for the audience beyond it, capturing it on film was a great prize for Dickson.

Rating:
Genre:Documentary
Written By:
In Theaters:9/25/1898
Box Office:

Runtime:1 minutes
Studio:American Mutoscope & Biograph

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik