'My Adventures with Superman' Premiere Review.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.

Sperm-spewing sensei Jonni Darkko and his cohorts desecrate and defile SIXTY stunning cocksuckers in 140 minutes of "Pop Shots 101 Volume 2," which compiles the messiest, most graphic facial filth from the stylish director/stud's recent oral releases. This compendium of ejaculatory ecstasy brings together climactic, close-up moments of POV blow jobbing and jizz gobbling. Porn's finest fellatrices - ranging from sassy teens to lusty MILFs - slurp on big boners, drool lewdly, swap cum mouth-to-mouth, guzzle glasses of gag spit and swallow spunky sperm. The director's dedicated whores service whatever random meat thrusts into their faces, showing off passionate mouth skills in displays of deep-throat face fucking and sweaty ball lapping. Girls give interracial head, orally juggle multiple dicks and wear dripping semen facials.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
I was able to sit down and talk with up and coming producer and director Ryan Polomski who talked about his latest project Raymond Lewis: LA Legend. It's a documentary about basketball star Raymond Lewis and here is what I found out.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
The Incluvie predictions for various categories in the upcoming 2022 Academy Awards nominees. Best Picture, Actor in a Leading Role, Actress in a Leading Role, Animated Feature Film, Directing, Documentary.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.