"Get Out"
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.

A cowboy strands in a small bar after a fight with his ex. In the search for oneself, he is soon immersed in the jungle of drunkenness, loneliness and sadness.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.