A Conversation With the Filmmakers of 'When Men Were Men'
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
Pol·len
Anna, who has moved abroad, returns for a few days to Barcelona. Back in her home city, she is haunted by her past love Alex as she walks through the neighborhood in which they used to live. However, mass tourism has greatly transformed the city, and, when Anna discovers that their old apartment is now an Airbnb rental, a flood of memories overwhelms her.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Anna, who has moved abroad, returns for a few days to Barcelona. Back in her home city, she is haunted by her past love Alex as she walks through the neighborhood in which they used to live. However, mass tourism has greatly transformed the city, and, when Anna discovers that their old apartment is now an Airbnb rental, a flood of memories overwhelms her.
Rating:
Genre:
Written By:
In Theaters:
Box Office:
Runtime:16 minutes
Studio:
Cast
Articles You May Like
Let's Make Way For the 'Wish Dragon'
A story of a magical dragon brings great representation for Chinese culture.
The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
The Power of Looking in 'Nope'
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
TIFF ‘22 Coverage: ‘The Greatest Beer Run Ever’
The Vietnamese perspective is not only completely ignored in 'The Greatest Beer Run Ever', but it is blatantly whitewashed and disrespected.
"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.