Rejecting “The Prom”-posal
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.

George Floyd’s killing triggered mass demonstrations nationwide calling for racial justice and police accountability in the United States. In the wake of those protests, New Yorker writer and historian Jelani Cobb returns to a troubled police department he first visited four years ago (Policing the Police) to examine whether reform can work, and how police departments can be held accountable.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
"Thunder Road" presents the grief that comes from a family member taking their own life.
A documentary film about a disabled female athlete who builds courage within herself and seeks faith.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.