
Lending money, job hunting for civilians and babysitting. All these things are usually not listed on a policeman's job description. But for the officers of this local police station, it‘s part of their daily routine. One day, patrolman Yoshii (Hisaya Morishige) finds an abandoned baby and a six year old girl standing in front of the station. When he's declined by the welfare office, orphanage and local health clinic to take them in, he decides to take care of them himself.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
A dog who needs to learn new tricks in this family comedy.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.