‘Black Widow’ Is About Yelena, Not Natasha
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.

Four friends and Graduate students in the physics department of their University discover their clean energy machine actually works as a crude, rudimentary teleportation device. Through experimentation, adjustments and some misuse-use of the device, it is quickly discovered that the machine holds many consequences.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
‘A Good Person’ makes it clear that forgiveness is hard.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
A baking competition that delivers cookies ‘n screams.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.