Triangle comedy about a movie crew shooting a no-budget artsy film. Director Pohja is a clumsy beginner, cinematographer Törrönen an old pro, and the leading actors Igor and Merju first detest each other although the script is supposed to make them lovers. The two gradually grow closer even in real life, but the director too has set his eyepiece on Merju.
Ere Kokkonen
Director
Ere Kokkonen
Set decorator Pöyhönen
Hillevi Lagerstam
Actress Räntäsalo - Merju's mother
Vesa-Matti Loiri
film director Paavali Pohja
Pirjo Pasanen
Neiti Hiiva
Spede Pasanen
producer Sinisanta
Arja Saijonmaa
actress Merju Köykkä
Simo Salminen
cinematographer Törrönen
Ville-Veikko Salminen
actor Igor Lötjönen
Tauno Söder
Merjun isä
Paul Jyrälä
äänittäjä
Veikko Sinisalo
Suohullu Pähkä
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
'Kobra Auto Retrato' chronicles the inspiring journey of Kobra, a world-renowned Brazilian muralist and street artist.
'Free Guy' combines classic Disney (a white heteronormative love story), exploration of popular video games and the culture around them, and Ryan Reynolds adult humor in the best way to make a super fun family flick.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.