Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Pânico Vaginal poster

Pânico Vaginal 

Low-budget science fiction. A video piece full of special flaws and a lot of creepy tape. Vaginal Panic narrates the trajectory of a superheroine who opts for Intimate Weaponry - A procedure that can be installed in the vaginal or anal canal: pistols, shotguns, rifles, rifles, machine guns - All hypoallergenic and also available in pink, purple versions and gliterized.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Low-budget science fiction. A video piece full of special flaws and a lot of creepy tape. Vaginal Panic narrates the trajectory of a superheroine who opts for Intimate Weaponry - A procedure that can be installed in the vaginal or anal canal: pistols, shotguns, rifles, rifles, machine guns - All hypoallergenic and also available in pink, purple versions and gliterized.

Rating:
Genre:
Directed By:Lara Duarte
Written By:
In Theaters:
Box Office:

Runtime:

Studio:

Articles You May Like


"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones

The Naked Gun: New Squad on Fire!

Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.

Nilufer Ozmekik