
Cláudia is a Portuguese immigrant who deals with a terrorizing boss, her rejecting daughter and the strong mountain wind, as she cleans sophisticated Airbnb’s in the Swiss Alps.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Let it Snow in a nutshell, is a warmhearted coming of age teen Christmas movie.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.