Mirrorball (Miami sFF Review): A Passionate Tribute to La La Land
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.

Boris and Hugo, 16-year-old friends, arrive at Hugo’s parents’ apartment. They have bought a gun. They set up a livestream video on the internet and announce that in one hour they will commit suicide. While Boris is sure about the decision, Hugo still has his doubts. In the final moments of their lives, sadism, homoeroticism, and destructive desire are released.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
The legacy of this movie starts off the film series with a bang of magic, plot twists, and battles.
The Franke kids seemingly lived a normal life, until their mom met the infamous Jodi Hilderbrandt.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.