Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

Two friends, Mia and Teo, meet up one evening and over a glass of wine, they debate the philosophy of love into its very depths. Being polar opposites, Mia argues over the inevitable end and pain that comes with the start of every relationship while Teo is more concerned with the loss of self and the change that occurs in someone over a relationship. By trying to preserve a memory that will forever exist in their minds, they choose to play pretend for the evening and live out the perfect relationship. The film offers a quick glimpse into an alternate universe where after years spent together, Mia moves out of the apartment where Teo and her lived together. A short peek into what could have been and also asking - would it have even been worth it in the end? However, once the hour has passed, they have to return to reality.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
This horror movie combines elements of horror and babysitting with Black representation.
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7