The two-channel video departs from Benning’s earlier work, cutting together hundreds of the artist’s gouache drawings of urban landscapes, figures, and abstractions. With its fragmented split-screen perspective, durational takes of still drawings, and occasional use of color filters, Play Pause speaks to the heightening of perception that accompanies periods of loss.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
