Ad Astra: Cinematic Hypnotism
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.

Luka lives with his quite harmonious and pleasant family in a very interesting neighborhood in the suburbs. During a turbulent period, big misunderstandings and conflicts start to emerge within the family. Left alone, Luka immerses himself in fiction, trying to find a solution for all the problems. He meets a girl in an abandoned factory complex where he often spends his time practicing his “superpowers” and she begins to help Luka develop a plan to fix the now-endangered family relationships.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
When you first hear that there is a series on Netflix where the lead character’s wife dies from cancer and he becomes dangerously suicidal, you wouldn’t immediately assume that it’s a comedy.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.