Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Planes in the Night poster

Planes in the Night 

9-year old Valdemar lives with his father Bo on a country house in the province. They have a friendly relationship, but Bo is suffering from alcohol problems, and Valdemar must therefore often be the adult one and take responsibility for himself. When Valdemar one day suspects the nurse Ulla for wanting to force him away from Bo, he starts an imaginary battle to defend the farm and to stay with Bo. This gets Bo to look deeply into himselves and deceive the only thing he loves in the world, his son, to give him a childhood before it is too late.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


9-year old Valdemar lives with his father Bo on a country house in the province. They have a friendly relationship, but Bo is suffering from alcohol problems, and Valdemar must therefore often be the adult one and take responsibility for himself. When Valdemar one day suspects the nurse Ulla for wanting to force him away from Bo, he starts an imaginary battle to defend the farm and to stay with Bo. This gets Bo to look deeply into himselves and deceive the only thing he loves in the world, his son, to give him a childhood before it is too late.

Rating:
Genre:
Written By:
In Theaters:
Box Office:

Runtime:37 minutes
Studio:

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik