A Canadian documentary featuring two young filmmakers attending the Toronto Film Festival to pitch a film concept to various celebrities. Their film idea, titled "The Dawn", concerns a Mafia don who goes for a hernia operation but gets a sex change instead. During the 1996 Toronto Fest, they approach Roger Ebert, Norman Jewison (at a packed press conference), Eric Stoltz (leaving a limo), Al Pacino, and others without much success. On a roll, they leave Toronto for Hollywood, getting advice from Arthur Hiller and Neil Simon and finding an agent who expresses interest in their pitch.
Housefull 5 attempts something bold with two endings — but does the gamble pay off? Read this spoiler-filled review for a breakdown of both versions, standout moments, and why it might be the franchise’s most forgettable entry yet.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
A deer caught in the headlights is the perfect metaphor for Animals.
This groundbreaking summer blockbuster proves that diversity enhances the action genre.
