Rick Bowman, a drag racing street punk, comes to the attention of crafty businessman Grant Willard. Willard bails him out of jail and offers him sponsorship as a stock car driver. Bowman accepts and enters the demolition derby-adjacent world of "figure eight" racing. As Bowman moves up in the ranks, his regard for his friends slips-- giving way to outright obsession with becoming the best.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
