
In a small town lies Villa Villerkulla, and in that villa a small girl, Pippi Longstocking, has moved in with her horse and monkey.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
A teen comedy that nobody wants to see.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.