Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

Roberto Benigni adapts the classic children's tale by Carlo Collodi for the big-budget family-oriented comedy Pinocchio.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
Here are some of our picks for inclusive Black love stories in film and media. We hope you enjoy these tender love stories and beautiful depictions.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.