Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

For trans man Jamie, a one-night stand is more than just sex, it's a question of self-worth.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.
David Fincher is back in his playpen, with a dark and chilling thriller.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.