'The Killer,' Sponsored by...
David Fincher is back in his playpen, with a dark and chilling thriller.

Colin, a timid gay man, is swept off his feet when Ray, an enigmatic and impossibly handsome biker, takes him on as his submissive in a crazy and erotic BDSM-focused relationship.
David Fincher is back in his playpen, with a dark and chilling thriller.
The tale of the Snyder Cut will undoubtedly go down as one of the most fascinating stories in modern film history. It is one of the rare times that movie fans were able to rally together and champion an issue so much so that it actually came to fruition.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.