Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

During the 1948 Arab-Jewish conflict in Palestine, a group of six Israeli soldiers -- including Rachel (Nehama Hendel), a female combatant -- is trapped in enemy territory. While trying to escape, the soldiers learn of an Arab plan to attack a nearby village. Fearing the worst, the group must now race home to warn their compatriots. The Palestinians, however, are hot on their tracks, and time is running out. As the group suffers a series of casualties, their chances for survival diminish.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.