Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A 16mm frame-by-frame nighttime trajectory through Montreal's Parc Lafontaine. With the frenetic movements created through Pelletier’s filming techniques, this public space becomes a sanctuary for a restless and nostalgic mind.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
This Disney Channel Original Movie shows how two different groups can coexist.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
In a Whisper is a coming out narrative, but it’s also a story about multiple mother-daughter relationships and the necessity of family.
A Japanese anime movie that brings survival, adventure, and friendship to the big screen.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen