“Dangerous Lies” is as Predictable as Can be
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.

In this farce Madame Dalia (Alda Mangini) is a mature countess/pseudo-spiritualist grifter who has rented a villa by the sea and, avoiding police surveillance, runs a clandestine gambling den. In town for a peace conference two suitors, one American and one German, go to the gambling house in an attempt to win over Giulietta (Sophia Loren) Madame Dalia’s supposed niece, a woman they believe was the subject of a portrait they became enamoured with during the war.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.